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Movie Title : Frances Ha
Release Date : May 17, 2013 Limited
Genre Movie :Comedy
Actors :Greta Gerwig,Adam Driver,Grace Gummer,Mickey Sumner,Patrick Heusinger,Michael ZegenMpaa Rating : R
Plot Story : Frances (Greta Gerwig) lives in New York, but she doesn't really have an apartment. Frances is an apprentice for a dance company, but shes not really a dancer. Frances has a best friend named Sophie, but they aren't really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness. FRANCES HA is a modern comic fable that explores New York, friendship, class, ambition, failure, and redemption. (c) IFC Films

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Visitor Ranting and Critics For Frances Ha

Critics Ranting For Frances Ha : 7.8
Critics Percentage For Frances Ha : 92 %
User Ranting Movie Frances Ha : 3.8
User Count Like for Frances Ha : 12,473

Review For Movie Frances Ha

As Frances literally dances her way through the streets of New York, you can't help smiling and knowing she will be OK. She will figure out how to be the adult she was meant to be.
Mary Houlihan-Chicago Sun-Times

Few films top Woody Allen's Manhattan for capturing New York City's blend of rapture and apprehension. Noah Baumbach's Frances Ha comes close.
Peter Howell-Toronto Star

Writing with Gerwig, Baumbach has created a fey, sneakily charming generational touchstone on a par with Annie Hall and his own Gen Y col-grad comedy Kicking and Screaming.
Ann Hornaday-Washington Post

In your twenties you decide on the final version of you. Sophie is working on it; Frances is stuck in her crazy, clueless, can't-pay-the-rent stage.
Cath Clarke-Time Out

It's a tribute to Gerwig's performance, somehow both clumsy and elegant, that she wins us over despite ourselves, that we come to appreciate her aimlessness in a goal-oriented society ...
Rick Groen-Globe and Mail

This is an odd film (creepier than it knows), and even if you feel the atmospheric company of Dunham-ism, with a little of Whit Stillman, Henry Jaglom, and Woody Allen, the core influence on Noah Baumbach's film is fifty years older or more.
David Thomson-The New Republic

(Gerwig's) willingness to hold absolutely nothing back deserves mad respect and can't help but make a viewer feel guilty for finding it all quite exasperating.
Christopher Long-Movie Metropolis

Game and not a self-promoting booster, always slightly outside the loop, the title character accepts what is dealt without complaint or anger.
Donald J. Levit-ReelTalk Movie Reviews

The thoughtfulness and commitment of Gerwig's performance in its shifts from chaotic exuberance to rigorous rehearsal suggest that she is the more interesting artist to watch.
Sophie Mayer-Sight and Sound

Gerwig superbly incarnates the contradictions of this insecure woman.
Anthony Quinn-Independent

It's the mark of a good film when it's so simple you can sum it up in a sentence, and so deep you're still digging into it hours, even days after the credits roll. That's Frances Ha.
Chris Knight-National Post

Inspired by Gerwig's spontaneity, and scripted to cultivate it, the movie does turn up some occasional stilted line readings here and there, but periodic awkwardness also is shrewdly elemental to its charm.
Jonathan Kiefer-Sacramento News & Review

Months of Frances' life pass in minutes, yet those minutes feel like an eternity, thanks to non-action and uninspired editing.
Cameron Meier-Orlando Weekly

I found Frances Ha frequently irritating and even cringe-inducing in the moment, yet feel tenderer towards it in retrospect. It's about a specific time in life, when the sudden stampede to self-definition can make people seem cruel, crazy or resentful.
Jenny McCartney-Daily Telegraph

Baumbach's previous films have been insightful and wry without ever really being all that likeable. Gerwig brings a charm and energy to this shared project that makes it, if perhaps not his deepest film, then easily his most fun.
Anthony Morris-The Vine

Frances Ha -- both the movie and its heroine -- is graceful, awkward, luminous and hilarious.
Philippa Hawker-Sydney Morning Herald

Greta Gerwig is perhaps the most interesting of the younger American actresses working in films today, and she's wonderful as Frances in this black and white charmer from director Noah Baumbach.
David Stratton-At the Movies (Australia)

The infectiously delightful exuberance of Frances that nearly vibrates off the screen is clearly tailor-made for the actress.
Kate Erbland-Film School Rejects

Exuberant and disarming.
Rebecca Jacobson-Willamette Week

The gorgeously-made Frances Ha serves as a love letter from director to star; and like all love notes that aren't ours, it's intimate, mawkish and, in some vital way, unknowable.
Corey Hall-Metro Times (Detroit, MI)

As she zips from one oddball experience to another, the movie seems to be assuring us that this is what a young person is supposed to do and that Frances will find her thing. Whatever it is.
Chris Hewitt (St. Paul)-St. Paul Pioneer Press

[Frances Ha] may feel tossed-off, but like the early French New Wave films that inspired it, this affectionate portrait of wayward young folks trying to survive, emotionally and professionally, in the big city is both touching and meaningful.
Anthony Kaufman-Screen International

Baumbach likes to walk on the dark side in his films, but there is also a playful side to him. This film does have a dark edge to it, but a lighter mood dominates here, and that is a good thing.
Robert Roten-Laramie Movie Scope

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Movie Overview For Frances Ha

Shot in black and white, Frances Ha is about an aspiring dancer (co-writer Greta Gerwig) who moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks. From director Noah Baumbach (Margot at the Wedding, Greenberg).